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	<title>Lita Ch</title>
	<link>https://lita-ch.com</link>
	<description>Lita Ch</description>
	<pubDate>Tue, 07 Apr 2026 11:08:23 +0000</pubDate>
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		<title>Publications</title>
				
		<link>https://lita-ch.com/Publications</link>

		<pubDate>Wed, 04 Jan 2023 07:23:44 +0000</pubDate>

		<dc:creator>Lita Ch</dc:creator>

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		<description>Namkheun Manifesto Artistic Drirector &#124; Self-publishing
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Thai, English2021Bangkok, ThailandPublished by Namkheun
10.5 x 29.7 cm, b/w and color, offset,&#38;nbsp;staple and loose bound, softcoverDesigned by Lita Chala-adisaiNamkheun Manifesto is a six-part translation project. Each part comprises a translation of a manifesto that gives us the ooh ah ah sensation, and a corresponding written piece which addresses the specificity of the translated manifesto as well as our own translating act.

For this collection, it consists of four booklets including:1. The Cyberfeminist Manifesto for the 21st Century2. Queer Nation Manifesto3. Guerilla Open Access Manifesto4. The Digital Humanities Manifesto

This project is supported by DC Collection


I Suppose It Is Frost On the GroundGraphic Designer

&#60;img width="2348" height="1568" width_o="2348" height_o="1568" data-src="https://freight.cargo.site/t/original/i/e6774e9e39ef8ed4d21f4e3153e9f8763355c8f2c9d797c489580e75b82c91a5/Screenshot-2565-12-14-at-00.52.55.png" data-mid="164090320" border="0"  src="https://freight.cargo.site/w/1000/i/e6774e9e39ef8ed4d21f4e3153e9f8763355c8f2c9d797c489580e75b82c91a5/Screenshot-2565-12-14-at-00.52.55.png" /&#62;


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Thai, English, partial Simplified Chinese
2021Bangkok, ThailandPublished by Namkheun
20 x 26.7 cm, 71 pages, b/w digital PDF file, Eyelet punch bindingDesigned by Lita Chala-adisai
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It was a photo of a tiny piece of paper posted on Facebook in early February 2021 scribbled, 
‘a raindrop caged awaits a raging storm. With love and faith,’ from a letter written by Thai human rights activist and lawyer, Anon NAMPA, after he and his comrades were denied bail after several attempts. It was these heaps of paper, letter, and social media post ‘by’ and ‘for’ detained activists. Even though we do not know exactly what to do with them, we decided to go into the storm, taking literary clues as a compass.


&#60;img width="1256" height="1568" width_o="1256" height_o="1568" data-src="https://freight.cargo.site/t/original/i/16aec420fa44f0f04446e0a2c14be9d8451cf374ba0772687494a09d57439fbf/Screenshot-2565-12-14-at-00.52.13.png" data-mid="164090316" border="0"  src="https://freight.cargo.site/w/1000/i/16aec420fa44f0f04446e0a2c14be9d8451cf374ba0772687494a09d57439fbf/Screenshot-2565-12-14-at-00.52.13.png" /&#62;

&#38;nbsp; &#38;nbsp; Derived from Anon NAMPA’s powerful utterance, ‘A raindrop caged awaits a raging storm’ (ขังฝนเม็ดเดียวเขาจะเจอกับห่าฝน) is a translation project of words circulated during the detention of political activists from 2020 to 2021. Initiated by ซอย&#38;nbsp;&#124; soi, a platform for writing, editing, and publishing in the expanded field, in collaboration with&#38;nbsp;Namkheun Collective, the team selected, translated, and edited words from political activists delivered during 2020-2021. ‘A raindrop caged awaits a raging storm’ is not a corpus, but moments of utterance to be bound up with others. I suppose it is frost on the ground, a project by Namkheun Collective, is its first iteration.

I suppose it is frost on the ground is a collection of excerpts and textual products that emerge from the hostile climate of Thai politics. These are texts taken from prison letters and visitation notes. These are texts written as everyday utterances which do not necessarily evoke the rhetoric of democracy. 
It is from these utterances that we are able to sail across the international waters of sentiments and sensibilities.
Commissioned in the context of the BULLET TEXT project (Guangzhou, 2021), Namkheun aims to use these letters not as display objects in themselves, but rather as an entry point into a network of textual references across overlapping temporal, sociocultural, linguistic, or sensorial regimes. They aim to interrogate their own engagement with the letters, both through the act of translating and/or possible dialogue with other activists.

Joyful Militancy: 
Building Thriving Resistance in Toxic Times 
by carla bergman and Nick Montgomery
Graphic designer &#124; Published by Namkheun Collective

&#60;img width="1536" height="1026" width_o="1536" height_o="1026" data-src="https://freight.cargo.site/t/original/i/bf37b16cefcc875c9de19aae5c9f0f8a69a353b5b330c7aa778beca448a0ec20/_0-1536x1026.jpg" data-mid="202571004" border="0"  src="https://freight.cargo.site/w/1000/i/bf37b16cefcc875c9de19aae5c9f0f8a69a353b5b330c7aa778beca448a0ec20/_0-1536x1026.jpg" /&#62;

สู้ไปกราบใคร: ยืนหยัดขัดขืนในยุคแห่งพิษภัย (เล่มที่ ๑)
Thai2023Bangkok, ThailandPublished Namkheun Collective 
11 x 21 cm, B/W on K-color #17 Pink 120 gsm., 
PANTONE 7588c + PANTONE 804c on White Card paper 350 gsm., Offset, thread sewn-Glued Binding, and french fold coverDesigned by Lita Chala-adisai TranslatorWirunwan PitaktongKritti Tantasithfrom Namkheun Collective 
Arcane Plateau by Thanawat Numcharoen
Graphic designer &#124; Published by Namkheun Collective


&#60;img width="1536" height="1026" width_o="1536" height_o="1026" data-src="https://freight.cargo.site/t/original/i/afb0051be76ae511a86831b99d86dfb29ad59cce7128b5755b4b89971adfd544/Arcane-Plateau_0-1536x1026.jpg" data-mid="202571013" border="0"  src="https://freight.cargo.site/w/1000/i/afb0051be76ae511a86831b99d86dfb29ad59cce7128b5755b4b89971adfd544/Arcane-Plateau_0-1536x1026.jpg" /&#62;

English2023Bangkok, ThailandPublished Namkheun Collective 
11 x 18 cm, B/W, Color silk screen, Digital, thread sewn perfect bound, softcoverDesigned by Lita Chala-adisai Writer Thanawat Numcharoen Concept and EditingWirunwan PitaktongKritti Tantasithfrom Namkheun Collective This fiction book is written by Thanawat Numcharoen and features collaborative efforts from manuscript readers, editors, and the book layout concept design by Namkheun Collective. Anantawat serves as a special consultant, providing advice on various aspects, from design to print management. This book represents the 1st edition, with 200 copies printed and published by Parbpim Printing. Throughout the journey, many fellow human beings have contributed their energy, reading, and providing comments.



🎀 by Kamolros&#38;nbsp;WonguthumGraphic designer &#124; Published by Gallery VER

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English2023Bangkok, ThailandPublished Gallery VER&#38;nbsp;
21 x 26 cm, color, offset, thread sewn perfect bound, HardcoverDesigned by Lita Chala-adisai 
Writer 
Gaby Wilson&#38;nbsp;
Concept and EditingKamolros Wonguthum&#38;nbsp;
This publication serves as a catalog showcasing Kamolros's artwork featured in the exhibition which invites viewers into a world where cute rhizome structures intertwine with glossy compositions and recognisable topographical forms.

InbetweenersSelf-publishing

&#60;img width="2611" height="1846" width_o="2611" height_o="1846" data-src="https://freight.cargo.site/t/original/i/37b538516894922c2f14539a09df34fde1b9febc77efb1b5659ebd5da5ee6de2/mock-up_inbetweeners-01.jpg" data-mid="164095856" border="0"  src="https://freight.cargo.site/w/1000/i/37b538516894922c2f14539a09df34fde1b9febc77efb1b5659ebd5da5ee6de2/mock-up_inbetweeners-01.jpg" /&#62;


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&#60;img width="2611" height="1847" width_o="2611" height_o="1847" data-src="https://freight.cargo.site/t/original/i/bcd475793379a32bf39e9385c5eef536333e1d5d80cd6dce12f231cdd17fb730/mock-up_inbetweeners-07.jpg" data-mid="164096074" border="0"  src="https://freight.cargo.site/w/1000/i/bcd475793379a32bf39e9385c5eef536333e1d5d80cd6dce12f231cdd17fb730/mock-up_inbetweeners-07.jpg" /&#62;
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&#60;img width="2611" height="1846" width_o="2611" height_o="1846" data-src="https://freight.cargo.site/t/original/i/20f4949b9ad5c36b3c6f76a1c4aa2d65e018401f072d6b55227074b7c5b3ebf1/mock-up_inbetweeners-12.jpg" data-mid="164096120" border="0"  src="https://freight.cargo.site/w/1000/i/20f4949b9ad5c36b3c6f76a1c4aa2d65e018401f072d6b55227074b7c5b3ebf1/mock-up_inbetweeners-12.jpg" /&#62;
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Thai, English
Anon Chaisansook and Lita Chala-adisai2019Bangkok, ThailandPublished by Cyberprint Co.,ltd
20 x 27&#38;nbsp;cm, 84&#38;nbsp;pages, color,&#38;nbsp;digital,
exposed spine thread sewn-glued, hardcoverDesigned by Lita Chala-adisaiIt is natural for a person or a group of people to seek to belong. Some look for a community, a territory, with lofty and prominent walls, but some carve out their own by eroding, distorting, and cracking the existing ones. These walls or borders are rigid and stubborn, but simultaneously fluid and versatile.

Though invisible and intangible, the “wall”&#38;nbsp;ingeniously functions through social structures and imprint its existence in our subconsciuos. It marks an imaginary border, separating the insider from the outsider. It rises to obstruct the movement of those from both sides of the wall. While it may protect the insiders from the&#38;nbsp;“invasion”&#38;nbsp;of the outside, it also traps the movement of the insiders themselves.&#38;nbsp;“Get&#38;nbsp;off my turf”. This sentence, once uttered, reveals the walls, oncee invisible.“Turf,”&#38;nbsp;therefore, does not only signify the physical territory with specific qualities of proximity, but also indicates the imaginary space in which a person or a group of people create to establish their identities.

Inbetweeners attempts to investigate different “turfs”&#38;nbsp;both the familiar and the unfamiliar. Through our exploration of certain symbols that police and patrol those turfs, we walk in between the territories, along those wall, and, sometimes, enter and lurk into some.BlessingSelf-publishing

&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c7f083fd8eb39ace22852690618ea3258b87f409fb895dbcdb72f69bf333c9b2/re.jpg" data-mid="164098294" border="0"  src="https://freight.cargo.site/w/1000/i/c7f083fd8eb39ace22852690618ea3258b87f409fb895dbcdb72f69bf333c9b2/re.jpg" /&#62;
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&#38;nbsp;
&#60;img width="2480" height="1754" width_o="2480" height_o="1754" data-src="https://freight.cargo.site/t/original/i/d288ee9f60a505c336937a43674dfd6bd8e00c735efc78bade8f35f7a4f321b3/BLESSING-09.jpg" data-mid="164109892" border="0"  src="https://freight.cargo.site/w/1000/i/d288ee9f60a505c336937a43674dfd6bd8e00c735efc78bade8f35f7a4f321b3/BLESSING-09.jpg" /&#62;
&#60;img width="2481" height="1754" width_o="2481" height_o="1754" data-src="https://freight.cargo.site/t/original/i/744a83ae85802c23dac9d479d77bdf4625acb62efd8710bdf5fe70286b30e780/BLESSING-02.jpg" data-mid="165536720" border="0"  src="https://freight.cargo.site/w/1000/i/744a83ae85802c23dac9d479d77bdf4625acb62efd8710bdf5fe70286b30e780/BLESSING-02.jpg" /&#62;
&#60;img width="2480" height="1754" width_o="2480" height_o="1754" data-src="https://freight.cargo.site/t/original/i/8849d519c4f883e7316c1f353a3e83fc5669b5e03675f0120b9a42eaa3e7f7fa/BLESSING-07.jpg" data-mid="164109890" border="0"  src="https://freight.cargo.site/w/1000/i/8849d519c4f883e7316c1f353a3e83fc5669b5e03675f0120b9a42eaa3e7f7fa/BLESSING-07.jpg" /&#62;
&#60;img width="2480" height="1754" width_o="2480" height_o="1754" data-src="https://freight.cargo.site/t/original/i/8f1771af613cf9998ae2f7f25b67e072b15c3dbaedfb3d6116ac93ac39109383/BLESSING-05.jpg" data-mid="164109888" border="0"  src="https://freight.cargo.site/w/1000/i/8f1771af613cf9998ae2f7f25b67e072b15c3dbaedfb3d6116ac93ac39109383/BLESSING-05.jpg" /&#62;
&#60;img width="2480" height="1754" width_o="2480" height_o="1754" data-src="https://freight.cargo.site/t/original/i/9ad913cf45227197da864e824848273075d00a1f2b9d670c35a2befda2019599/BLESSING-04.jpg" data-mid="164109887" border="0"  src="https://freight.cargo.site/w/1000/i/9ad913cf45227197da864e824848273075d00a1f2b9d670c35a2befda2019599/BLESSING-04.jpg" /&#62;
&#60;img width="2480" height="1754" width_o="2480" height_o="1754" data-src="https://freight.cargo.site/t/original/i/eab0ddda9b58462ad231d4214aac29f14db0ffeadca0bbdc67734018ccc3e702/BLESSING-08.jpg" data-mid="164109891" border="0"  src="https://freight.cargo.site/w/1000/i/eab0ddda9b58462ad231d4214aac29f14db0ffeadca0bbdc67734018ccc3e702/BLESSING-08.jpg" /&#62;
&#60;img width="2480" height="1754" width_o="2480" height_o="1754" data-src="https://freight.cargo.site/t/original/i/10f29070ce91d7e861307db9419afe5c871fd72782b8984b1a785c49706dba12/BLESSING-06.jpg" data-mid="164109889" border="0"  src="https://freight.cargo.site/w/1000/i/10f29070ce91d7e861307db9419afe5c871fd72782b8984b1a785c49706dba12/BLESSING-06.jpg" /&#62;
&#60;img width="2480" height="1754" width_o="2480" height_o="1754" data-src="https://freight.cargo.site/t/original/i/9812c52eabdb20ad3f63d642d21490334a49d78e7862902bb11c13f5009dd805/BLESSING-03.jpg" data-mid="164109885" border="0"  src="https://freight.cargo.site/w/1000/i/9812c52eabdb20ad3f63d642d21490334a49d78e7862902bb11c13f5009dd805/BLESSING-03.jpg" /&#62;
&#60;img width="2480" height="1754" width_o="2480" height_o="1754" data-src="https://freight.cargo.site/t/original/i/86a554ff98716fe7a8a4dd6f4fc6a3fceab25b0a76ba8fecc5d180062868d26b/BLESSING-10.jpg" data-mid="164109893" border="0"  src="https://freight.cargo.site/w/1000/i/86a554ff98716fe7a8a4dd6f4fc6a3fceab25b0a76ba8fecc5d180062868d26b/BLESSING-10.jpg" /&#62;
&#60;img width="2480" height="1754" width_o="2480" height_o="1754" data-src="https://freight.cargo.site/t/original/i/1158adeeff6498201c9e2f054f2f1c229ca0781977eca9ff0912e331722069e2/BLESSING-01.jpg" data-mid="164109883" border="0"  src="https://freight.cargo.site/w/1000/i/1158adeeff6498201c9e2f054f2f1c229ca0781977eca9ff0912e331722069e2/BLESSING-01.jpg" /&#62;
Thai, EnglishLita Chala-adisai2018Bangkok, ThailandPublished by Cyberprint Co.,ltd
14.8 x 21 cm, 60 pages, color, digitalwith poster, 42 x 59.4 cm, 100 grams, color, digital
Limited edition 100 copies, signed and numbered

&#38;nbsp; &#38;nbsp; 
This photo book began with an interest and subsequent exploration of the various materialities in tools, equipment, furniture and the decor of Buddhist religious sites. All the photos are taken by observing various angles within the buildings. Its complexity is revealed through the excessive ornamentations that function beyond the general usage of the spaces. A whole building that houses just the restrooms as well as the oversaturated colors in every corner of the space. This illicit a paradox of a religion that proclaims detachment and simplicity as their core tenets, and demand rigor and strict behavior upon entrance.&#38;nbsp; &#38;nbsp; The book takes you on a journey from the initial experiences of a Buddhist person having learned in school the teachings of detachment and the letting go of the material world through to the physical realities of the space that embodies and initiates massive flows of capital. From exterior to interior, one sees through the architecture, centralized mechanisms of controlled practiced in these holy sites. These determine popular tendencies and flatten local belief systems, causing an uncanniness in these sites, traditions, and ceremonies. &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
&#38;nbsp; &#38;nbsp; The interplay of the photographs contrasts the texts which taught and cements the teachings of Buddhism and the loopholes in government policies towards these religious institutions. The secretive spendings which cannot be checked, money laundering known to be done by these entities colored these decadent photographs of space’s intentions. These cause dissonance in what one sees, a sponge is experienced with the harsh sterility of a floor tile, as the contrast of an over the top decorative chandelier in a holy place preaching non-materialism. These juxtaposition form a free-flowing network of association in which one must navigate for themselves.

Indulgence photo zineSelf-publishing
&#60;img width="3384" height="2248" width_o="3384" height_o="2248" data-src="https://freight.cargo.site/t/original/i/e4081313853103d17c5c84e5c18a2a6f39075980da40b50234eacaa0325b3dc8/IMG_8991.jpg" data-mid="165536699" border="0"  src="https://freight.cargo.site/w/1000/i/e4081313853103d17c5c84e5c18a2a6f39075980da40b50234eacaa0325b3dc8/IMG_8991.jpg" /&#62;

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&#60;img width="3016" height="2224" width_o="3016" height_o="2224" data-src="https://freight.cargo.site/t/original/i/f3017dc2ff31f4aca3ffe7a51c584b44017bca83f3bdfcc799a836a496e299a6/IMG_8992.jpg" data-mid="165536708" border="0"  src="https://freight.cargo.site/w/1000/i/f3017dc2ff31f4aca3ffe7a51c584b44017bca83f3bdfcc799a836a496e299a6/IMG_8992.jpg" /&#62;
&#60;img width="5019" height="3289" width_o="5019" height_o="3289" data-src="https://freight.cargo.site/t/original/i/388df8d4248184f493f8c569a5fbe225328716e3cf51b00e5c6c1ef823590bdc/_MG_9077.jpg" data-mid="164112836" border="0"  src="https://freight.cargo.site/w/1000/i/388df8d4248184f493f8c569a5fbe225328716e3cf51b00e5c6c1ef823590bdc/_MG_9077.jpg" /&#62;


2016Bangkok, ThailandPublished by Cyberprint Co.,ltd
Concept and designed by Lita Chala-adisai
21 x 29.7 cm, 10 pages, color, digital, file folder bindingA continuation from my studyingin college which exploring&#38;nbsp;thedefinition of architecture, some elementsthat lead to everyday life objects.I trying to researching by observinga beauty dialogue with intuition.
&#60;img width="1536" height="1026" width_o="1536" height_o="1026" data-src="https://freight.cargo.site/t/original/i/afb0051be76ae511a86831b99d86dfb29ad59cce7128b5755b4b89971adfd544/Arcane-Plateau_0-1536x1026.jpg" data-mid="202571013" border="0"  src="https://freight.cargo.site/w/1000/i/afb0051be76ae511a86831b99d86dfb29ad59cce7128b5755b4b89971adfd544/Arcane-Plateau_0-1536x1026.jpg" /&#62;&#60;img width="1536" height="1026" width_o="1536" height_o="1026" data-src="https://freight.cargo.site/t/original/i/afb0051be76ae511a86831b99d86dfb29ad59cce7128b5755b4b89971adfd544/Arcane-Plateau_0-1536x1026.jpg" data-mid="202571013" border="0"  src="https://freight.cargo.site/w/1000/i/afb0051be76ae511a86831b99d86dfb29ad59cce7128b5755b4b89971adfd544/Arcane-Plateau_0-1536x1026.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>About desktop</title>
				
		<link>https://lita-ch.com/About-desktop</link>

		<pubDate>Wed, 04 Jan 2023 07:23:42 +0000</pubDate>

		<dc:creator>Lita Ch</dc:creator>

		<guid isPermaLink="true">https://lita-ch.com/About-desktop</guid>

		<description>Lita Chala-adisai (Bangkok, 1994) E. lita.chalaadisai(at)gmail.com

living and working in Bangkok, Thailand. Works as a Visual Designer, Graphic Designer, and Visual Merchandiser. Her passion for visual objects and storytelling through the interpretation of personal experiences and visual communication via composition design in photography has led her to become passionate about independent and self-publishing books as a medium for expressing and exploring both design possibilities and her political questions surrounding social structure. Lita is also an active member of the Namkheun collective, a product of disgruntled text exchanges where we shared memes, unfulfilled dreams, and personal insights. Together, we raged over the state of the world. And so, in 2020, Namkheun materialized as an extension of such activities. Understanding written works and translation as a form of activism, we focus primarily on the Thai cultural landscape and the possible reimagining of sociocultural boundaries in Thailand.
Education&#38;nbsp; &#38;nbsp; Bachelors degree&#38;nbsp; &#38;nbsp; Department of Interior Architecture,&#38;nbsp; &#38;nbsp; Faculty of Architecture,&#38;nbsp; &#38;nbsp; King Mongkut's Institute of Technology Ladkrabang, &#38;nbsp; &#38;nbsp; Bangkok, Thailand
Experience2022&#38;nbsp; &#38;nbsp; CHANEL (THAILAND) LIMITED&#38;nbsp; &#38;nbsp; Visual Merchandiser&#38;nbsp; &#38;nbsp; GHOST 2565: Live Without Dead Time&#38;nbsp; &#38;nbsp; An artist-curated Video and Performance Art series that &#38;nbsp; &#38;nbsp; 
will happen every three years &#38;nbsp; &#38;nbsp; in Bangkok, Thailand.&#38;nbsp; &#38;nbsp; Visual and Graphic designer
&#38;nbsp; &#38;nbsp; GHOST 2565: Intermission&#38;nbsp; &#38;nbsp; A screening program that engages with remnants from the 2018 debut of the video and &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
performance series titled Ghost:2561.&#38;nbsp; &#38;nbsp; Visual and Graphic designer
 2021&#38;nbsp; &#38;nbsp; Pan-Southeast Asia Triennial Serial&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; Research Exhibition   &#38;nbsp; &#38;nbsp; Project at Guangzhou Academy of Fine &#38;nbsp; &#38;nbsp; Arts, Guangzhou city, China Under the &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; name of Namkheun Collective&#38;nbsp; &#38;nbsp; Visual Designer
&#38;nbsp; &#38;nbsp; Iris Van Herpen Pop-up store &#38;nbsp; &#38;nbsp; by Haute Couture Experience &#38;nbsp; &#38;nbsp; at Central Embassy &#38;nbsp; &#38;nbsp; Visual Merchandise Designer
2020 - 2022&#38;nbsp; &#38;nbsp; BOYY&#38;nbsp; &#38;nbsp; Bangkok, Thailand&#38;nbsp; &#38;nbsp; Graphic designer in Creative department &#38;nbsp; &#38;nbsp; and Artistic Director assistant2020&#38;nbsp; &#38;nbsp; A House in Many Parts &#38;nbsp; &#38;nbsp; An Arts festival in Bangkok, Thailand&#38;nbsp; &#38;nbsp; Key visual designer 
2020 - on going&#38;nbsp; &#38;nbsp; Namkheun collective&#38;nbsp; &#38;nbsp; Artistic Director
2019 - 2020&#38;nbsp; &#38;nbsp; SIWILAI group and Central Embassy &#38;nbsp; &#38;nbsp; Bangkok, Thailand&#38;nbsp; &#38;nbsp; Visual Merchandiser and designer &#38;nbsp; &#38;nbsp; in house
2019&#38;nbsp; &#38;nbsp; The book show showcase at Singapore &#38;nbsp; &#38;nbsp; Art Book fair 2019 &#38;nbsp; &#38;nbsp; The selected book for THEBOOKSHOW&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; Open Call 20192018 - 2019&#38;nbsp; &#38;nbsp; 56th Studio
&#38;nbsp; &#38;nbsp; Storytelling and Creative Maters&#38;nbsp; &#38;nbsp; Multidisciplinary Designer 2017&#38;nbsp; &#38;nbsp; The Embassy of Design Territory&#38;nbsp; &#38;nbsp; Event and exhibition designer
</description>
		
	</item>
		
		
	<item>
		<title>Visual Design</title>
				
		<link>https://lita-ch.com/Visual-Design</link>

		<pubDate>Wed, 04 Jan 2023 07:23:43 +0000</pubDate>

		<dc:creator>Lita Ch</dc:creator>

		<guid isPermaLink="true">https://lita-ch.com/Visual-Design</guid>

		<description>GHOST2565: Live Without Dead Time
Visual designer

&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/577cf8938f6ee79fb8f070240ce4f826fbad97f9b5db655a875bab4ab1bbc4c9/310950678_1141190553467266_6665551040462065301_n.jpg" data-mid="164088671" border="0"  src="https://freight.cargo.site/w/1000/i/577cf8938f6ee79fb8f070240ce4f826fbad97f9b5db655a875bab4ab1bbc4c9/310950678_1141190553467266_6665551040462065301_n.jpg" /&#62;
&#38;nbsp; &#38;nbsp; Ghost is a video and performance art series that takes place in Bangkok, Thailand. The second edition Ghost 2565: Live Without Dead Time curated by Christina Li runs from October 12 to November 13, 2022 at venues throughout Bangkok.
&#60;img width="2250" height="2812" width_o="2250" height_o="2812" data-src="https://freight.cargo.site/t/original/i/7489771bb2b8143ade534788e610cd6ad69958635bd164e42dedba5256b56bad/Lita_website_2023_GHOST-05.jpg" data-mid="164242950" border="0"  src="https://freight.cargo.site/w/1000/i/7489771bb2b8143ade534788e610cd6ad69958635bd164e42dedba5256b56bad/Lita_website_2023_GHOST-05.jpg" /&#62;


&#60;img width="2812" height="2250" width_o="2812" height_o="2250" data-src="https://freight.cargo.site/t/original/i/a465ed4f712573cbb7ce79cb40fba9c077e65b2f67d8244c025c0f67c1cbf9e0/Lita_website_2023_GHOST-07.jpg" data-mid="164242952" border="0"  src="https://freight.cargo.site/w/1000/i/a465ed4f712573cbb7ce79cb40fba9c077e65b2f67d8244c025c0f67c1cbf9e0/Lita_website_2023_GHOST-07.jpg" /&#62;
&#60;img width="2812" height="2250" width_o="2812" height_o="2250" data-src="https://freight.cargo.site/t/original/i/21ad96484d812b95c2c018373581826f0113107183f6f8dd3739920c361386cb/Lita_website_2023_GHOST-08.jpg" data-mid="164242953" border="0"  src="https://freight.cargo.site/w/1000/i/21ad96484d812b95c2c018373581826f0113107183f6f8dd3739920c361386cb/Lita_website_2023_GHOST-08.jpg" /&#62;
&#60;img width="2812" height="2250" width_o="2812" height_o="2250" data-src="https://freight.cargo.site/t/original/i/624e0da6ba882d43808ff183b3e09ab419913cd1c30db173f2389e5c89b9df5a/Lita_website_2023_GHOST-09.jpg" data-mid="164242954" border="0"  src="https://freight.cargo.site/w/1000/i/624e0da6ba882d43808ff183b3e09ab419913cd1c30db173f2389e5c89b9df5a/Lita_website_2023_GHOST-09.jpg" /&#62;
Ghost2565: Live Without Dead Time event poster

&#38;nbsp; &#38;nbsp; Ghost 2565 features moving-image works by Meriem Bennani, Revital Cohen and Tuur Van Balen, Özgür Kar, Lap-See Lam, Li Shuang, Diane Severin Nguyen, James Richards, Shen Xin, Natasha Tontey, Wu Tsang with Tosh Basco, and Emily Wardill and two new film installations by Chantana Tiprachart and Tulapop Saenjaroen.&#60;img width="2250" height="2812" width_o="2250" height_o="2812" data-src="https://freight.cargo.site/t/original/i/e7bdef6eb5d43170a0e7760e81f15beb95e6146e2c4576a21d2cc992904382b6/Lita_website_2023_GHOST-04.jpg" data-mid="164242949" border="0"  src="https://freight.cargo.site/w/1000/i/e7bdef6eb5d43170a0e7760e81f15beb95e6146e2c4576a21d2cc992904382b6/Lita_website_2023_GHOST-04.jpg" /&#62;
Ghost2565: Live Without Dead Time weekly schedule
&#38;nbsp; &#38;nbsp; 
A variety of live events happen throughout the month-long festival. They include a joint lecture performance by Rabih Mroué and Hito Steyerl, and commissioned pieces that respond to Bangkok’s historical and urban framework, namely a series of audio walk s by Orawan Arunrak, a sonic, architectural intervention by Pan Daijing, and a nighttime gathering around collective dreaming and eating devised by Koki Tanaka.

&#60;img width="2250" height="2812" width_o="2250" height_o="2812" data-src="https://freight.cargo.site/t/original/i/65b3803670fddd20c132be7401dce091981578af4f9073571b6035a93a3e16bc/Lita_website_2023_GHOST-06.jpg" data-mid="164242951" border="0"  src="https://freight.cargo.site/w/1000/i/65b3803670fddd20c132be7401dce091981578af4f9073571b6035a93a3e16bc/Lita_website_2023_GHOST-06.jpg" /&#62;


&#60;img width="2048" height="1368" width_o="2048" height_o="1368" data-src="https://freight.cargo.site/t/original/i/2e9dcb809327dcfbf56e0bc4bd78ee224524b61354d0f7e9c7893558d196395c/313403525_10158406750155981_5568028161631652651_n.jpg" data-mid="164105603" border="0"  src="https://freight.cargo.site/w/1000/i/2e9dcb809327dcfbf56e0bc4bd78ee224524b61354d0f7e9c7893558d196395c/313403525_10158406750155981_5568028161631652651_n.jpg" /&#62;
&#60;img width="2048" height="1368" width_o="2048" height_o="1368" data-src="https://freight.cargo.site/t/original/i/88cede4c173d5111c766f0261ab7426acc6e31b67fb63683f37ee30e2deac9ba/313399328_10158406797850981_4386065094543238016_n.jpg" data-mid="164105435" border="0"  src="https://freight.cargo.site/w/1000/i/88cede4c173d5111c766f0261ab7426acc6e31b67fb63683f37ee30e2deac9ba/313399328_10158406797850981_4386065094543238016_n.jpg" /&#62;
&#60;img width="2048" height="1368" width_o="2048" height_o="1368" data-src="https://freight.cargo.site/t/original/i/690e07e15736ee477e7b71df425292836a11ff9f55fb55ad1a3f2f7693b0bb61/313407385_10158406779640981_4697392724998985168_n.jpg" data-mid="164105604" border="0"  src="https://freight.cargo.site/w/1000/i/690e07e15736ee477e7b71df425292836a11ff9f55fb55ad1a3f2f7693b0bb61/313407385_10158406779640981_4697392724998985168_n.jpg" /&#62;
Venue and Installation view
Video Installations for Ghost 2565: Live Without Dead Time at:1. Baan Trok Tua Ngork2. BANGKOK CITYCITY GALLERY3. Jim Thompson Art Center4. Nova Contemporary5. World Travel Service
Website:&#38;nbsp;ghost2565.com
Instagram: ghost2565ghost

GHOST2565: IntermissionVisual Designer&#38;nbsp; &#38;nbsp;&#60;img width="4500" height="5625" width_o="4500" height_o="5625" data-src="https://freight.cargo.site/t/original/i/cb5ca83ac967c73c8e1b112e758e20bf172b7a6a386f47b1534d40188f2b32c8/Litas_port_2023_visual_GHOST_Intermissiom-01.jpg" data-mid="163788961" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/cb5ca83ac967c73c8e1b112e758e20bf172b7a6a386f47b1534d40188f2b32c8/Litas_port_2023_visual_GHOST_Intermissiom-01.jpg" /&#62;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
	&#60;img width="4500" height="5625" width_o="4500" height_o="5625" data-src="https://freight.cargo.site/t/original/i/b0930b02ed51dc773a777848d7b7d09fbe20d7753a16ae03120732c7fc997796/Litas_port_2023_visual_GHOST_Intermissiom-03.jpg" data-mid="163788956" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/b0930b02ed51dc773a777848d7b7d09fbe20d7753a16ae03120732c7fc997796/Litas_port_2023_visual_GHOST_Intermissiom-03.jpg" /&#62;
	&#60;img width="4500" height="5625" width_o="4500" height_o="5625" data-src="https://freight.cargo.site/t/original/i/2ab195d2c4d69b5e9aafdaf6a35637d1b8fa7dde2f69f2019bddb31f8a7ee36f/Litas_port_2023_visual_GHOST_Intermissiom-02.jpg" data-mid="163788959" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/2ab195d2c4d69b5e9aafdaf6a35637d1b8fa7dde2f69f2019bddb31f8a7ee36f/Litas_port_2023_visual_GHOST_Intermissiom-02.jpg" /&#62;

Key Visual design

&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/72d330ddcb4e1f624ff40917416fbbb873e8273c3a0b0c8f67a49963c134c612/293246472_1180343205861092_2054616788523683531_n.jpg" data-mid="163789619" border="0"  src="https://freight.cargo.site/w/1000/i/72d330ddcb4e1f624ff40917416fbbb873e8273c3a0b0c8f67a49963c134c612/293246472_1180343205861092_2054616788523683531_n.jpg" /&#62;
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&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/7166e7a19ca9e31211ab7aff511056c8dfcb2ea73f132069a09e8aa6c7b8776c/293442790_1180343599194386_637725201504396062_n.jpg" data-mid="163789620" border="0"  src="https://freight.cargo.site/w/1000/i/7166e7a19ca9e31211ab7aff511056c8dfcb2ea73f132069a09e8aa6c7b8776c/293442790_1180343599194386_637725201504396062_n.jpg" /&#62;
&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/29cf69e0c96e87cf1be45593e90d368cff839c415333f5e3832f314bf440499d/293278453_1180365915858821_2701517352652795997_n.jpg" data-mid="163789602" border="0"  src="https://freight.cargo.site/w/1000/i/29cf69e0c96e87cf1be45593e90d368cff839c415333f5e3832f314bf440499d/293278453_1180365915858821_2701517352652795997_n.jpg" /&#62;
Screening program at HOUSE Samyan
&#38;nbsp; &#38;nbsp; Ghost2565: Intermission is a screening program that engages with remnants from the 2018 debut of the video and performance series titled Ghost:2561. The inclusion of works by artists from the last iteration creates a link through artistic practice to the forthcoming edition Ghost 2565: Live Without Dead Time, while also tracing the themes and deliberations to be presented this October in Bangkok.
Ghost2565:&#38;nbsp; Intermission leaflet PDF ↓

What Cannot Be Forgotten, Must Be Celebrated
Key visual designer
&#60;img width="4500" height="5625" width_o="4500" height_o="5625" data-src="https://freight.cargo.site/t/original/i/af78e327101f647cd2e8d04dbec785c88c150700718dfd606abbff8dc27f785b/250914_Martin_KV_4-5-outlined.jpg" data-mid="238500141" border="0"  src="https://freight.cargo.site/w/1000/i/af78e327101f647cd2e8d04dbec785c88c150700718dfd606abbff8dc27f785b/250914_Martin_KV_4-5-outlined.jpg" /&#62;
What Cannot Be Forgotted, Must Be Celebrated exhibitionKey Visual design
Artist: Martin Constable
Curator: Pojai Akratanakul
Exhibition date: 14 Octorber - 29 November 2025Venue: Bangkok University, Main gallery

Ramavania: Lord of Shadows Exhibition
Visual and publication designer

&#60;img width="4500" height="4500" width_o="4500" height_o="4500" data-src="https://freight.cargo.site/t/original/i/ea7bd5f316ca3d6d7c11bb9ccbe68a6e4491915d72b33e5b030195ca544ef71f/Ramavania_online-01.jpg" data-mid="215448728" border="0"  src="https://freight.cargo.site/w/1000/i/ea7bd5f316ca3d6d7c11bb9ccbe68a6e4491915d72b33e5b030195ca544ef71f/Ramavania_online-01.jpg" /&#62;


Ramavania1868: Lord of Shadows exhibitionKey Visual and publication design
Artist: 
Anon Chaisansook [TH]
Nanut Thanapornrapee [TH]
Theerapat Wongpaisarnkit [TH]
Tomoko Sato [JP]
Kosuke Nagata [JP]Curator: Pongsakorn Yananissorn [TH]

Exhibition date: 3 July - 4 August 2024Venue: The Fifth Floor gallery at Tokyo

Common belief tells us that a vampire’s image cannot appear 
in mirrors. Be it because they have no souls or a more interesting theory says that mirrors back then are made from polished silver, a holy substance that deters evil. Perhaps that is why they can appear on film. How ironic when one considers that vampires are a form of time-based medium, or rather one that resists time itself. They often occupy the position of a stranger, they look like us, even think like us yet they are foreign. However, one cannot forget that a vampire cannot enter unless it is allowed, invited. &#38;nbsp;


A specter is haunting us — the specter of colonialism. All the lands of the world have unknowingly entered into this haunting, whether they have directly been colonized or not, such is the case with Thailand and Japan. Some say the specter has long left us, that we are past that age. Some say that we are in the midst of it, regardless one cannot deny how the specter lingers.&#38;nbsp; It has evolved to make itself less distinguishable but no matter how many garments it has changed, it still stalks. Modes of governance thought long since dead have merely adapted to fit in with the times, a secular veneer to once obvious forms of mythical violence, from brutal persecution to parasitic exploitation. 


Modern vampires (Bram Stoker’s and John William Polidori’s) appeared in the popular conception during the late early modern era (1800s) as manifested anxieties of state centralization and new notions of exploited labor through industrialization. The prey is no longer dead but sucked dry, a continual and persistent violence to a regime which proposes 


modernity yet retains the character of the predatory noble aristocrat now turned bourgeois. One could’v almost mistaken them for a force, an inherently conservative one. An essence of a vampire is one of timelessness&#38;nbsp; — a resistence to change. &#38;nbsp;


It prides itself in its history and those it has turned. The unrelenting desire of immortality and the abandonment of the ceaseless march of time has left them as mere forms for the undead but the image.


Ramavania: Lord of Shadows is a foray into the creation of such entities through geopolitical forces in Asian history during the age of colonization and industrialization. Thailand and Japan’s response to encroaching Western powers through attempts at modernization runs parallel to one another. Both hinging their consolidation of a nation not only through technological advancements but through reconfiguring their relationships with their own supernatural entities, deities and in this case vampires. The bargain for&#38;nbsp; presumed independence is paid with an auto-imperialistic turn, a self-colonization and 
re-identification of nationhood, where individuals become Gods and some men never die.



Ramavania1868: Lord of Shadows exhibition leaflet PDF ↓Art IT Asia Press
Instagram: ramavania1868
M / M Curatorial Summer Camp 2025
Visual designer


&#60;img width="4496" height="5625" width_o="4496" height_o="5625" data-src="https://freight.cargo.site/t/original/i/b78f72d71a1c2c4327f4d7030ac97a3be4d937c34a2dc9fb6decf26f27acb18a/250320_MM_design-workingopt2.jpg" data-mid="233896163" border="0"  src="https://freight.cargo.site/w/1000/i/b78f72d71a1c2c4327f4d7030ac97a3be4d937c34a2dc9fb6decf26f27acb18a/250320_MM_design-workingopt2.jpg" /&#62;
&#60;img width="4500" height="4500" width_o="4500" height_o="4500" data-src="https://freight.cargo.site/t/original/i/b7fe0d4283976f4c26d5fe14ef96d032d14f4a185547a2df4c2cad3180cd1785/240320_MM_design-working_Profile-pic.jpg" data-mid="233896162" border="0"  src="https://freight.cargo.site/w/1000/i/b7fe0d4283976f4c26d5fe14ef96d032d14f4a185547a2df4c2cad3180cd1785/240320_MM_design-working_Profile-pic.jpg" /&#62;
M / M Curatorial Summer Camp 2025Key Visual design











M / M Curatorial Summer Campis a platform that fosters collaboration and experimentation in curatorial andpedagogical practices. The program brings together emerging curators to share ideas, perspectives, and build an international network while expanding their curatorial practice through collaborative learning. The program involvesa series of visits, workshops, seminars, and

collaborative projects.

Instagram: mm_curatorialsummercamp
CHAI-DAI project (ใช้-ได้)
Visual and publication designer

&#60;img width="4500" height="4500" width_o="4500" height_o="4500" data-src="https://freight.cargo.site/t/original/i/4fc018e070788fbe6ff0ff7f30ccb7c0ddaacbd75539ae85617e2eb0c453ef61/CHAIDAI_KV_Lita.jpg" data-mid="233690794" border="0"  src="https://freight.cargo.site/w/1000/i/4fc018e070788fbe6ff0ff7f30ccb7c0ddaacbd75539ae85617e2eb0c453ef61/CHAIDAI_KV_Lita.jpg" /&#62;

&#60;img width="2250" height="2250" width_o="2250" height_o="2250" data-src="https://freight.cargo.site/t/original/i/c6786c9e4edf66c8ad90f6817ed4613f696c085203b48adf7f05e8d2480fb6a4/CHAIDAI_KV-02.jpg" data-mid="233690800" border="0"  src="https://freight.cargo.site/w/1000/i/c6786c9e4edf66c8ad90f6817ed4613f696c085203b48adf7f05e8d2480fb6a4/CHAIDAI_KV-02.jpg" /&#62;
&#60;img width="2250" height="2250" width_o="2250" height_o="2250" data-src="https://freight.cargo.site/t/original/i/d026a3d3cdfc963261ecda7914690913629279048da3ef374fb57c0270e0a664/CHAIDAI_KV-01.jpg" data-mid="233690801" border="0"  src="https://freight.cargo.site/w/1000/i/d026a3d3cdfc963261ecda7914690913629279048da3ef374fb57c0270e0a664/CHAIDAI_KV-01.jpg" /&#62;
&#60;img width="4500" height="4500" width_o="4500" height_o="4500" data-src="https://freight.cargo.site/t/original/i/90c6ccf215847de19fe8a726b4434285a08ec196be10fc88906296a09f6b0eb3/CHAIDAI_KV_Lita.jpg" data-mid="233690791" border="0"  src="https://freight.cargo.site/w/1000/i/90c6ccf215847de19fe8a726b4434285a08ec196be10fc88906296a09f6b0eb3/CHAIDAI_KV_Lita.jpg" /&#62;
CHAI-DAI (ใช้ได้)
In collaboration with&#38;nbsp;inappropriate BOOK CLUB X Namkheun Collective
Workshop venue: 
inappropriate BOOK CLUB (Bangkok)
Book re:public (Chaingmai)
ALien Art space (KhonKaen)&#38;nbsp;
P.ART.Y Gallery Pattani (Pattani)



Echoed Tranquility exhibition 
project by Surin Pitsuwan Foundation&#38;nbsp;
Graphic designer

&#60;img width="2250" height="2250" width_o="2250" height_o="2250" data-src="https://freight.cargo.site/t/original/i/3e65aa29d849d890cf73453913875338c427b251de9187ff86abe4266782b7ad/ET_kv_website.jpg" data-mid="199438370" border="0"  src="https://freight.cargo.site/w/1000/i/3e65aa29d849d890cf73453913875338c427b251de9187ff86abe4266782b7ad/ET_kv_website.jpg" /&#62;



Echoed Tranquility exhibitionKey Visual designArtist: Dinh Q. Lê, Pratchaya Phinthong, and Toshiko Tanaka
Exhibition date: 6 - 20 December 2023
Venue: Event Space at Jim Thompson Art Center
&#38;nbsp;The Sasakawa Peace Foundation and the Surin Pitsuwan Foundation are pleased to extend an invitation to the art exhibition titled "Echoed Tranquillity" at the Jim Thompson Art Center in Bangkok. This exhibition is the result of a collaborative effort among the Sasakawa Peace Foundation in Japan and the Surin Pitsuwan Foundation in Thailand with support from the Jim Thompson Art Center, the Embassy of Japan in Thailand and the Hiroshima Peace Memorial MuseuEchoed Tranquility is an art exhibition that delicately captures the essence of tranquility that emerges after conﬂicts. Through subtle and introspective artworks, the exhibition explores the journey of understanding and resilience in the aftermath of strife. It portrays the intricate interplay between brokenness and renewal. With its nuanced approach, Echoed Tranquility illuminates the subtle conversation and hopeful whispers that arise when shattered landscapes and souls ﬁnd solace and serenity, embodying the delicate essence of lives after conﬂicts. The exhibition features a notable artwork by Dinh Q. Lê, 'South China Sea Pishkun' (2009), a new iteration of Pratchaya Phinthong's 'The Organ of Destiny' series, and a collection of enamel paintings by Toshiko Tanaka, who, as a survivor of the Hiroshima atomic bombing, transitioned into an artist.More information about the exhibition



Arcane Plateau by Thanawat Numcharoen
Graphic designer

&#60;img width="4500" height="4500" width_o="4500" height_o="4500" data-src="https://freight.cargo.site/t/original/i/d9204201452131d46709f465ae8450de6bd7fade46c0b3a81de9042cee241176/AP_KV_1_1.jpg" data-mid="199438341" border="0"  src="https://freight.cargo.site/w/1000/i/d9204201452131d46709f465ae8450de6bd7fade46c0b3a81de9042cee241176/AP_KV_1_1.jpg" /&#62;

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&#60;img width="3200" height="2138" width_o="3200" height_o="2138" data-src="https://freight.cargo.site/t/original/i/29fabe88acf45758b06695a40f2aa8ddb718a9a538df80827c21d7babc4d3731/NK_MANIFESTO_MOCK_UP_4-6-14.jpg" data-mid="202590164" border="0"  src="https://freight.cargo.site/w/1000/i/29fabe88acf45758b06695a40f2aa8ddb718a9a538df80827c21d7babc4d3731/NK_MANIFESTO_MOCK_UP_4-6-14.jpg" /&#62;
Arcane Plateau &#124; คำสาปที่ราบสูงKey Visual designfor a Solo Exhibition by Thanawat NumcharoenCurated by Wirunwan Victoria Pitaktong
Runs from 12 August – 13 October 2023&#38;nbsp;at Prachachee library, Bangkok.Key Visual Design: Lita Chala-adisai
Consist of the Namkheun Collective, Speedy Grandma and Prachachee library
Arcane Plateau: leaflet PDF ↓



🎀 by Kamolros Wonguthum
Graphic designer &#124; Published by Gallery VER

&#60;img width="4500" height="4500" width_o="4500" height_o="4500" data-src="https://freight.cargo.site/t/original/i/66679eea819c09130e33f86d8e25cbffeea4e12422af78c51eb01af94bec6d30/Kamolros_KV-final-03.jpg" data-mid="185077295" border="0"  src="https://freight.cargo.site/w/1000/i/66679eea819c09130e33f86d8e25cbffeea4e12422af78c51eb01af94bec6d30/Kamolros_KV-final-03.jpg" /&#62;

A Solo Exhibition by Kamolros Wonguthum15 July – 17 September 2023Gallery VER, NOpening Reception: 15 July 2023, 18:00 - 21:00Gallery VER is pleased to present the exhibition “🎀” by our represented artist, Kamolros Wonguthum A cute rhizome formulates structures of substance, shiny emaciated luxury compositions – sketchy and recognisable topographical forms – archipelagos of wealth straddle the walls with their shiny chromatic skeins... layered flotsam and jetsam... mirroring our social precariousness.All that glitters is ontological precarity and dark potentiality. The dialectics of aesthetics in our global saturated commodification, is a realm of discourse of an unconscious realism. A stratified plethora of neural sights, psychic renderings and feelings; embodied knowledge of pathways that waver into the imagination for pleasurable escapism. Ones that are constantly and implausibly equidistant, never seeming to be fully reachable, just out of sight, just out of attainment.Franco ‘Bifo’ Berardi, discusses the unconscious of a society in his post-pandemic work ‘The Third Unconscious’ (2021), where our unconscious connectedness is what fundamentally underpins the whole of the social world. For Berardi, ‘Freud, who conceived the Unconscious as the dark side of the well ordered framework of Rational Progress’ (Berardi, 9, 2021) is critical of this contradictory perceived development. A plurality of profit and unrecognised provocation. The codified dialectics of capital, bounce and play in terms of alternatives of uncertainty to direct meaning; values of desire act as a substrate from this psycho-social world. Kamolros’s new assembled work, pins down both poles of this dialectic: the aesthetic sales-ship of a sexy and glossy ambiguity, to an aware civil-comatose, wrapped up with ribbons and bows.The exhibition encapsulates a knowledge of brinkmanship. Where cellar doorways mooch into the dark side of the subtleness of the soul. Meanings... as in the meanings we hold to knowledge and values, act like the psycho-social babble of lucrative and desperate sales pitches, incoherence: but specific of a deeper social understanding – the dialectics of capitals unconscious.A publication alongside this exhibition features New York based writer and journalist, from SSENSE, VICE and Rolling Stone, Gaby Wilson’s cultural response.Key Visual Design: Lita Chala-adisai
 Golem by Ruangsak AnuwatwimonGraphic designer for Gallery VER

&#60;img width="4500" height="5625" width_o="4500" height_o="5625" data-src="https://freight.cargo.site/t/original/i/e62cfa2d9c01a44884eed8d3e0849958a9dd4fbed9928c214ad62da87bafcaa8/Golem_2022_KV.jpg" data-mid="185521679" border="0"  src="https://freight.cargo.site/w/1000/i/e62cfa2d9c01a44884eed8d3e0849958a9dd4fbed9928c214ad62da87bafcaa8/Golem_2022_KV.jpg" /&#62;
*Unselected version of Key Visual design*for a Solo Exhibition by Ruangsak Anuwatwimon
Embodying the monster
11 March – 6 April 2022 
at SAC Gallery
Bangkok
Uncanny
23 April - 19 June 2022 
at Gallery VER
Bangkok
Key Visual Design: Lita Chala-adisai


A House in Many PartsVisual Designer

&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/99f57ec38c3692f7fb81cc5dfc163a086d940a4c801332d33c82501f8bb5a65a/A_HOUSE_IN_MANY_PART_POSTER2.jpg" data-mid="163789531" border="0"  src="https://freight.cargo.site/w/1000/i/99f57ec38c3692f7fb81cc5dfc163a086d940a4c801332d33c82501f8bb5a65a/A_HOUSE_IN_MANY_PART_POSTER2.jpg" /&#62;
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&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/7a0b46fb3c49b4148230d2c9aaa256e66a79ca1b9771114a1822335f396616d7/A_HOUSE_IN_MANY_PART_POSTER4.jpg" data-mid="163789535" border="0"  src="https://freight.cargo.site/w/1000/i/7a0b46fb3c49b4148230d2c9aaa256e66a79ca1b9771114a1822335f396616d7/A_HOUSE_IN_MANY_PART_POSTER4.jpg" /&#62;
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/bb605a1e0936d346bacf416f570ad017c1e09eb67360820dacd2a9bc9233a80a/A_HOUSE_IN_MANY_PART_POSTER5.jpg" data-mid="163789536" border="0"  src="https://freight.cargo.site/w/1000/i/bb605a1e0936d346bacf416f570ad017c1e09eb67360820dacd2a9bc9233a80a/A_HOUSE_IN_MANY_PART_POSTER5.jpg" /&#62;
&#38;nbsp; &#38;nbsp; A house in Many Parts will take place from the 1st of December until the 16th of December 2020 in Bangkok. This multidisciplinary festival is jointly organized by the Embassy of France in Thailand and the Goethe-Institut Thailand with the support of the Franco-German fund.Five practitioners based in France and Germany will prepare boxes containing objects or ideas and send them to their duo practitioner in Thailand. Based on their interpretation of the boxes’ content, the 5 artists based in Thailand will create or curate artworks and share them with the public audience in various venues during events.Through this unique concept of international collaboration, the artistic director of the festival, Abhijan Toto, invites the artists and the audience to question the role of collectivity in our present and future.The Embassy of France and Goethe-Institut cooperate under the Franco-German fund and aim to strengthen the dialogue and collaboration between European and Thai artists. This Festival is curated by&#38;nbsp;Abhijan Toto.

Almost Nature exhibition press

Almost NatureVisual Designer

&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/ecb672b11245429906ac4424ccfbefb0ecf6366609a037f316d602dc2f4eadc2/Litas_website_2023_visual_almost_nature02.jpg" data-mid="163791085" border="0"  src="https://freight.cargo.site/w/1000/i/ecb672b11245429906ac4424ccfbefb0ecf6366609a037f316d602dc2f4eadc2/Litas_website_2023_visual_almost_nature02.jpg" /&#62;

&#60;img width="1080" height="1227" width_o="1080" height_o="1227" data-src="https://freight.cargo.site/t/original/i/8100b309b1b4fe2bec0025d323d5d0312c50ba3fb062ccb1651f947c895d57d4/50494061_304395993482937_9002649668311576484_n.jpg" data-mid="163790979" border="0"  src="https://freight.cargo.site/w/1000/i/8100b309b1b4fe2bec0025d323d5d0312c50ba3fb062ccb1651f947c895d57d4/50494061_304395993482937_9002649668311576484_n.jpg" /&#62;
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/571548841f5c9ece7ea21ef4e6d0f521c83241a957e2547c71599a394a9f581f/Litas_2023_website_visual_almost_nature.jpg" data-mid="163791086" border="0"  src="https://freight.cargo.site/w/1000/i/571548841f5c9ece7ea21ef4e6d0f521c83241a957e2547c71599a394a9f581f/Litas_2023_website_visual_almost_nature.jpg" /&#62;Key Visual design

&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/0e138ff6bf3fc8401633e53f19ab3e41d322b572b05662ea6e0df5b23e03e149/3W2A7757_low-res.jpg" data-mid="163791570" border="0"  src="https://freight.cargo.site/w/1000/i/0e138ff6bf3fc8401633e53f19ab3e41d322b572b05662ea6e0df5b23e03e149/3W2A7757_low-res.jpg" /&#62;
&#60;img width="1200" height="675" width_o="1200" height_o="675" data-src="https://freight.cargo.site/t/original/i/1f0ef8e3dd88df49fda95208aacce5cc3931e992c3b4c27d0b87edc6c386d55a/3W2A7674_low-res.jpg" data-mid="163791566" border="0"  src="https://freight.cargo.site/w/1000/i/1f0ef8e3dd88df49fda95208aacce5cc3931e992c3b4c27d0b87edc6c386d55a/3W2A7674_low-res.jpg" /&#62;
&#60;img width="1200" height="675" width_o="1200" height_o="675" data-src="https://freight.cargo.site/t/original/i/d8a7999774d02faf6a8e83b3af2de5dead74d934fd308e5ca3e64c45c6af9293/3W2A7721_low-res.jpg" data-mid="163791564" border="0"  src="https://freight.cargo.site/w/1000/i/d8a7999774d02faf6a8e83b3af2de5dead74d934fd308e5ca3e64c45c6af9293/3W2A7721_low-res.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/8863dc4d26738ece9815317d7d57c355535b1c525943885738481a27a6f9a7e7/3W2A7675_low-res.jpg" data-mid="163791563" border="0"  src="https://freight.cargo.site/w/1000/i/8863dc4d26738ece9815317d7d57c355535b1c525943885738481a27a6f9a7e7/3W2A7675_low-res.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/7aa08bacaad83fd1c93df1dc6d723ad23cf66037b028395bfd0d3b99b8d01b22/3W2A7724_low-res.jpg" data-mid="163791567" border="0"  src="https://freight.cargo.site/w/1000/i/7aa08bacaad83fd1c93df1dc6d723ad23cf66037b028395bfd0d3b99b8d01b22/3W2A7724_low-res.jpg" /&#62;
Installation view

&#38;nbsp; &#38;nbsp; “Almost Nature,” the exhibition by Anon Chaisansook and Tammarat Kittiwatanokun, is an end result of a project by the two artists who set out to explore the history and fictions that are specific to a place.In mid-2017, Chaisansook and Kittiwatanokun started visiting the zoo in Bangkok regularly to observe the micro-narratives at the place. The intimate details — be them from the varied styles of garden decors, or in the taxidermy museum with realistic dioramas, to a bunker from the Greater East Asia War era that was later turned into a Serow menagerie — all exhibited the period and time the zoo had withstood.The layering narratives from the past that remain connected to today’s events and contemporary Thai history leave the zoo anachronistic and suspended in time, forming a pasteurized ecosystem, or a world within itself.The artists gathered information by taking photographs, interviewing zookeepers, and collecting raw samples. Using what is left of the memories — those of the site and of the individuals — the artists created artworks ranging from photography and small-sized sculptures to video art and fake souvenirs, all of which will be on display at the exhibition.
Artist: Anon Chaisansook, Tammarat KittiwatanokunCurator: Pojai Akratanakul

Venue: 3rd. floor, In front of Ku bar, Bangkok
Date: From January 26 to February 24 , 2019


Almost&#38;nbsp; Nature exhibition press

ZingGraphic designer
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
&#60;img width="592" height="229" width_o="592" height_o="229" data-src="https://freight.cargo.site/t/original/i/6735de033a2ba7fcff73e26004e6b59364b424853deb53fb51a71fc52f10acf7/Asset-1.png" data-mid="164106721" border="0" data-scale="64" src="https://freight.cargo.site/w/592/i/6735de033a2ba7fcff73e26004e6b59364b424853deb53fb51a71fc52f10acf7/Asset-1.png" /&#62;
&#38;nbsp; &#38;nbsp; Zing (ซิ่ง), a term used by a sub-cultural group of Thai teenagers to define anything that exceeds or is an exaggeration of the norm, the default. Commonly used to refer to engines customized to go faster and harder.

&#60;img width="1334" height="1000" width_o="1334" height_o="1000" data-src="https://freight.cargo.site/t/original/i/35d75d98d6cbda9c99c446496e72d0c0125eacdfc0474e679ae30193c53a91c0/Zingzing2.gif" data-mid="164106720" border="0"  src="https://freight.cargo.site/w/1000/i/35d75d98d6cbda9c99c446496e72d0c0125eacdfc0474e679ae30193c53a91c0/Zingzing2.gif" /&#62;

ZingVDO Key Visual&#38;nbsp; &#38;nbsp; 
ZingVDO then is a video, a moving image, a film that is rad. Ones that exceed the normal definition of a video. With this ethos, our team comes together with a spirit of resistance against all that is factory setting, of the default. Bringing together a community with a commitment to innovating moving images.

&#60;img width="2250" height="2812" width_o="2250" height_o="2812" data-src="https://freight.cargo.site/t/original/i/4238d14a4568cf80b4adbd102adfc6b4b748b3026f61477a4536f3e801b7bd0d/Litas_website_2023_zing.jpg" data-mid="164107865" border="0"  src="https://freight.cargo.site/w/1000/i/4238d14a4568cf80b4adbd102adfc6b4b748b3026f61477a4536f3e801b7bd0d/Litas_website_2023_zing.jpg" /&#62;

ZingVDO Key Visual

&#38;nbsp; &#38;nbsp; ZingVDO is an exhibition platform for all those interested in the subject, no matter the practice. We welcome those from all fields, whether it be an animator, designer, vlogger, and etc.

&#38;nbsp; &#38;nbsp; Our first project, ‘Fish tank’ originates from our interest in a contained ecosystem that serves as decor like those in a restaurant. 
A glass cage for entertainment that exists in various public places, existing only to be observed.

&#38;nbsp; &#38;nbsp; We have created an ecosystem of a fish tank and installed a screen within it. Situated on the second-floor dining area of a restaurant.
Venue: Charoenkrung 43, BangkokDate: From July 25 to September 27 , 2020
&#38;nbsp; &#38;nbsp;
 

Instagram:&#38;nbsp;Zingvdo</description>
		
	</item>
		
		
	<item>
		<title>Collective work</title>
				
		<link>https://lita-ch.com/Collective-work-1</link>

		<pubDate>Wed, 04 Jan 2023 07:23:43 +0000</pubDate>

		<dc:creator>Lita Ch</dc:creator>

		<guid isPermaLink="true">https://lita-ch.com/Collective-work-1</guid>

		<description>Namkheun CollectiveCo-founder and artistic director
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="2250" height="2250" width_o="2250" height_o="2250" data-src="https://freight.cargo.site/t/original/i/6766bc769230fd073005860608ef76fc4395c4a51eeefc32d121a458ad30d1cd/NK_LOGO_1080x1080_NAMKHEUN-.jpg" data-mid="163621285" border="0" data-scale="57" src="https://freight.cargo.site/w/1000/i/6766bc769230fd073005860608ef76fc4395c4a51eeefc32d121a458ad30d1cd/NK_LOGO_1080x1080_NAMKHEUN-.jpg" /&#62;


	
	
&#38;nbsp; &#38;nbsp; Translated as ‘Rising Tides’, Namkheun (น้ำขึ้น) is a literary collective based in Bangkok, Thailand. Namkheun is a product of disgruntled text exchanges and over-the-phone gossip sessions between three friends over the years. Together, we raged over the state of the world. Together, we shared memes, unfulfilled dreams, and personal insights. And so in 2020, Namkheun materialised as an extension of such activities, an open chat if you will. &#38;nbsp; Namkheun Collective consists of Kritti Tantasith, 
Wirunwan&#38;nbsp;Victoria Pitaktong, and Lita Chala-adisai.







First Project: Namkheun Manifesto

&#60;img width="1590" height="403" width_o="1590" height_o="403" data-src="https://freight.cargo.site/t/original/i/550b07f8e95a4531dd9d6165c300ad8fab6e5a11ca6cf59dc12c1b4dd8d2c284/NK_Manifesto_BW.png" data-mid="164184395" border="0"  src="https://freight.cargo.site/w/1000/i/550b07f8e95a4531dd9d6165c300ad8fab6e5a11ca6cf59dc12c1b4dd8d2c284/NK_Manifesto_BW.png" /&#62;

&#38;nbsp; &#38;nbsp; 











&#38;nbsp; &#38;nbsp; Namkheun Manifesto began with a simple and personal question: ‘Why do I find this manifesto I’m reading so moving?’. Six manifestos were selected, and translated into Thai, based on our own affinity and allegiance to the urgencies raised by each manifesto. Regarding these manifestos as points of departure for further reading of proposed modes of resistance, the project aims to interrogate our own engagement with the texts, and form a conversation with the reader by teasing out resonances among contexts.
 



&#60;img width="4501" height="5625" width_o="4501" height_o="5625" data-src="https://freight.cargo.site/t/original/i/aecce4bb8608122eb72dbb06047b9fd89114ef78b9dbc5a10fbe2ae86866bff8/KILLJOY_AW-11.jpg" data-mid="164184624" border="0"  src="https://freight.cargo.site/w/1000/i/aecce4bb8608122eb72dbb06047b9fd89114ef78b9dbc5a10fbe2ae86866bff8/KILLJOY_AW-11.jpg" /&#62;


&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/ef009f47b2bc2b063995c31dc2d1e4582499156951378f145db79d94c3792af1/NK-MANIFESTO-WEB-03.jpg" data-mid="163662490" border="0"  src="https://freight.cargo.site/w/1000/i/ef009f47b2bc2b063995c31dc2d1e4582499156951378f145db79d94c3792af1/NK-MANIFESTO-WEB-03.jpg" /&#62;
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/f3d039d4dd2be0abafe3d145b8a99267791a2be852407b4c1c27a0dca9f1304e/NK-MANIFESTO-WEB-00.jpg" data-mid="163662494" border="0"  src="https://freight.cargo.site/w/1000/i/f3d039d4dd2be0abafe3d145b8a99267791a2be852407b4c1c27a0dca9f1304e/NK-MANIFESTO-WEB-00.jpg" /&#62;
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/7e4f050bcc3eae06627637037856f87fcab413caca63f12cccde5fc61f32eb1f/NK-MANIFESTO-WEB.jpg" data-mid="163662511" border="0"  src="https://freight.cargo.site/w/1000/i/7e4f050bcc3eae06627637037856f87fcab413caca63f12cccde5fc61f32eb1f/NK-MANIFESTO-WEB.jpg" /&#62;
6 manifestos include: 
The Digital Humanities Manifesto The Queer Nation Manifesto (1990)A Killjoy Manifesto (2016) A Cyberfeminist Manifesto for the 21st Century (1991)Trans Health Manifesto Guerilla Open Access Manifesto (2008)

&#60;img width="604" height="850" width_o="604" height_o="850" data-src="https://freight.cargo.site/t/original/i/d229be3505c6c8b8a43746ed4d8f7820f4476da118a56e654cfe0e9a003e5750/NK_MANIFESTO_Queer_cover.jpg" data-mid="164186180" border="0"  src="https://freight.cargo.site/w/604/i/d229be3505c6c8b8a43746ed4d8f7820f4476da118a56e654cfe0e9a003e5750/NK_MANIFESTO_Queer_cover.jpg" /&#62;
The Queer Nation Manifesto poster, 2021, A1

&#60;img width="2251" height="2813" width_o="2251" height_o="2813" data-src="https://freight.cargo.site/t/original/i/bff1fad63cc0d87831d8a6e2203064139babafb0dfc3019f9369f26f33ca0317/NK_MANIFESTO_MOCK_UP-06.jpg" data-mid="164186176" border="0"  src="https://freight.cargo.site/w/1000/i/bff1fad63cc0d87831d8a6e2203064139babafb0dfc3019f9369f26f33ca0317/NK_MANIFESTO_MOCK_UP-06.jpg" /&#62;

A Cyberfeminist Manifesto for the 21st Century Manifesto publication,&#38;nbsp;10.5 x&#38;nbsp;29.7&#38;nbsp;cm,&#38;nbsp;b/w and color,&#38;nbsp;offset,&#38;nbsp;staple and loose bound, softcover

&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/871ae63f22ceb6d114d997e6dfaeb35a8618afec89eff87a5ba018c9654581d3/NK-MANIFESTO-WEB-04.jpg" data-mid="163662491" border="0"  src="https://freight.cargo.site/w/1000/i/871ae63f22ceb6d114d997e6dfaeb35a8618afec89eff87a5ba018c9654581d3/NK-MANIFESTO-WEB-04.jpg" /&#62;Namkheun Notes
&#60;img width="962" height="1144" width_o="962" height_o="1144" data-src="https://freight.cargo.site/t/original/i/b6eb9a25cd95feac12483420b4658c6a4a034b871b674ffdd5bd24875dbc6115/Screenshot-2565-12-14-at-00.49.07.png" data-mid="164110307" border="0"  src="https://freight.cargo.site/w/962/i/b6eb9a25cd95feac12483420b4658c6a4a034b871b674ffdd5bd24875dbc6115/Screenshot-2565-12-14-at-00.49.07.png" /&#62;

Top picks publications at Bookshop Library

&#60;img width="768" height="814" width_o="768" height_o="814" data-src="https://freight.cargo.site/t/original/i/9cfdb5ad45de1e1dd093d24b17c45a8348b2875952d72ef8a27c697b2f843417/Newsletter-April-2022_1-768x814.jpg" data-mid="164110387" border="0"  src="https://freight.cargo.site/w/768/i/9cfdb5ad45de1e1dd093d24b17c45a8348b2875952d72ef8a27c697b2f843417/Newsletter-April-2022_1-768x814.jpg" /&#62;
Interview with Bookshop Library team ‘Newsletter April 2022’
BLACK BOOK ASSEMBLY: 
MORE-THAN-HALF-A-YEAR-REVIEW issue 03

&#60;img width="768" height="513" width_o="768" height_o="513" data-src="https://freight.cargo.site/t/original/i/4989b701826e6e5cf22f0b8002b94e65b3107d2d255497fec7cf7e787274aff8/Black-Book-Assembly-768x513.jpg" data-mid="164111229" border="0"  src="https://freight.cargo.site/w/768/i/4989b701826e6e5cf22f0b8002b94e65b3107d2d255497fec7cf7e787274aff8/Black-Book-Assembly-768x513.jpg" /&#62;Thai / English&#38;nbsp;/ Chinese / Indonesian / Korean

2022Published by ourwork.is&#38;nbsp;(Hong Kong)Printed by Metta PrintingBangkok, Thailand

15 x&#38;nbsp;20.5&#38;nbsp;cm, 160&#38;nbsp;pages,&#38;nbsp;b/w,&#38;nbsp;digital,&#38;nbsp;case bound, hardcover

The Black Book Assembly More-Than-Half-a-Year-in-Review is an irregularly published newsletter initiative of the Black Book Assembly, a loose network of activist writers, artists and publishers from East and Southeast Asia. Each issue is edited from a different locale but treads across geographies to maintain the affinities of common struggle and deepen the toolbox of means and manoeuvres. The first issue began under the pavement of Hong Kong, followed by issue two edited by the Little Black Book Club of Seoul. This third issue, brought together in Bangkok, has been edited by textual collective Namkheun in collaboration with Hong Kong-based Display Distribute. Three years, myriad movements and now amid a pandemic, we ask: When we are no longer able to assemble, what are we doing now?
A Raindrop Caged Awaits a Raging StormDerived from Anon Nampa’s powerful utterance, ‘A raindrop caged awaits a raging storm’ (ขังฝนเม็ดเดียว เขาจะเจอกับห่าฝน) is a translation project of words circulated during the detention of political activists from 2020 to 2021. Initiated by 
ซอย &#124; soi, a platform for writing, editing, and publishing in the expanded field, in collaboration with Namkheun Collective, we selected, translated, and edited words from political activists delivered during 2020-2021. ‘A raindrop caged awaits a raging storm’&#38;nbsp; is not a corpus, but moments of utterance to be bound up with others.





&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  &#38;nbsp;&#60;img width="467" height="639" width_o="467" height_o="639" data-src="https://freight.cargo.site/t/original/i/bcda709a8fe9741cca5af60a4e5952669342d5ff0eb851ac76b9453ed48342fd/Screenshot-2566-01-10-at-16.10.27.png" data-mid="164185317" border="0" data-scale="53" src="https://freight.cargo.site/w/467/i/bcda709a8fe9741cca5af60a4e5952669342d5ff0eb851ac76b9453ed48342fd/Screenshot-2566-01-10-at-16.10.27.png" /&#62;













Pan-Southeast Asia Triennial Serial Research Exhibition Project at Guangzhou Academy of Fine Arts, Guangzhou city, China

&#60;img width="4622" height="6537" width_o="4622" height_o="6537" data-src="https://freight.cargo.site/t/original/i/335da6aa4b4067f61b214a23db74c316dea1ba0759a77f6784d0e9bc5b2eb9e8/final-poster.jpg" data-mid="164184754" border="0"  src="https://freight.cargo.site/w/1000/i/335da6aa4b4067f61b214a23db74c316dea1ba0759a77f6784d0e9bc5b2eb9e8/final-poster.jpg" /&#62;
BULLET TEXT is a chapter in the exhibition Does It Matter That We’ve Just Met, If Our Hearts Understand: Two Responses to Social Practice as part of the first Trans-Southeast Asia Triennial. The exhibition is held at the Art Museum of Guangzhou Academy of Fine Arts,&#38;nbsp; from 21 Nov 2021 to 20 March 2022. 


One of the five participating collectives from Southeast Asia, Namkheun worked on the publication called I suppose it is frost on the ground.
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/cb93b208dabee871dd824d023d386aa8383c6c4b731cb061821ad00adbda5390/NK-MANIFESTO-WEB-06.jpg" data-mid="164112035" border="0"  src="https://freight.cargo.site/w/1000/i/cb93b208dabee871dd824d023d386aa8383c6c4b731cb061821ad00adbda5390/NK-MANIFESTO-WEB-06.jpg" /&#62; 
&#60;img width="489" height="732" width_o="489" height_o="732" data-src="https://freight.cargo.site/t/original/i/a4910de17ba2b3b98cb6eaaf0a6f81f224f5401aa0d2591cf2b45b7350caa051/Screenshot-2566-01-10-at-16.15.04.png" data-mid="164185872" border="0"  src="https://freight.cargo.site/w/489/i/a4910de17ba2b3b98cb6eaaf0a6f81f224f5401aa0d2591cf2b45b7350caa051/Screenshot-2566-01-10-at-16.15.04.png" /&#62;












A part of I suppose it is frost on the ground. publications





&#38;nbsp; &#38;nbsp; I suppose it is frost on the ground is a collection of excerpts and textual products that emerge from the hostile climate of Thai politics. These are texts taken from prison letters and visitation notes. These are texts written as everyday utterances which do not necessarily evoke the rhetoric of democracy. It is from these utterances that we are able to sail across the international waters of sentiments and sensibilities.
&#38;nbsp; &#38;nbsp; In the context of this exhibition, we aim to use these letters not as display objects in themselves, but rather as an entry point into a network of textual references across overlapping temporal, sociocultural, 


&#38;nbsp; &#38;nbsp; linguistic, or sensorial regimes. We aim to interrogate our engagement with the letters, either through our translating or possible dialogue with other activists (i.e. Black Window). We expect that this engagement will leave textual traces, and it is these traces that the exhibition will feature. 




&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/44b35e8c57a54c627d070545b37e4eb05919c1db0b5e4a7f090ad0460f7ed56b/NK_SCREEN_JPEG.jpg" data-mid="164111975" border="0"  src="https://freight.cargo.site/w/1000/i/44b35e8c57a54c627d070545b37e4eb05919c1db0b5e4a7f090ad0460f7ed56b/NK_SCREEN_JPEG.jpg" /&#62;






















I suppose it is frost screen, 2021

still image on digital screen, 16:9&#38;nbsp;&#38;nbsp;



&#60;img width="967" height="731" width_o="967" height_o="731" data-src="https://freight.cargo.site/t/original/i/7289670dd3e188eb86cdd7ce269bba7dfa912be7c0e0891f8fabd2e82bfcb69a/Screenshot-2566-01-10-at-16.15.10.png" data-mid="164185930" border="0"  src="https://freight.cargo.site/w/967/i/7289670dd3e188eb86cdd7ce269bba7dfa912be7c0e0891f8fabd2e82bfcb69a/Screenshot-2566-01-10-at-16.15.10.png" /&#62;

The Exhibition wall textBLACK BOOK ASSEMBLY: MORE-THAN-HALF-A-YEAR-REVIEW issue 04

&#60;img width="3200" height="2138" width_o="3200" height_o="2138" data-src="https://freight.cargo.site/t/original/i/bd066d61dc54a1273f26e7eedb0775ce0a5bfe68ad065da5503af8729962524d/NK_MANIFESTO_MOCK_UP_BBA04-09.jpg" data-mid="176057068" border="0"  src="https://freight.cargo.site/w/1000/i/bd066d61dc54a1273f26e7eedb0775ce0a5bfe68ad065da5503af8729962524d/NK_MANIFESTO_MOCK_UP_BBA04-09.jpg" /&#62;English / Spanish / Korean
2023Published by ourwork.is (Hong Kong)Printed by Repro.nlUtrecht, Natherlands
29.7 x 42 cm, 24 pages, offset printing, folded out, color,An edition of 288 on 55 grams newsprint











The Black Book Assembly More-Than-Half-a-Year-in-Review is an irregularly published newsletter initiative of the Black Book Assembly, a loose network of activist writers, artists and publishers from East and Southeast Asia. Each issue is edited from a different locale but treads across geographies to maintain the affinities of common struggle and deepen the toolbox of means and manoeuvres. The first issue began under the pavement of Hong Kong, followed by issue two edited by the Little Black Book Club of Seoul and the third issue, brought together in Bangkok by textual collective NAMKHEUN in collaboration with Hong Kong-based Display Distribute. This fourth edition has been instigated as ultra-circulatory study material for the Ultradependent Public School, an initiative of basis voor actuele kunst (BAK) in Utrecht, Netherlands. The allotted budget has been utilised in its entirety for printing.









Twitter: @namkheun
Instagram: @namkheun
Website:&#38;nbsp;namkheun.com

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		<title>Exhibition design</title>
				
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		<pubDate>Tue, 07 Apr 2026 11:08:23 +0000</pubDate>

		<dc:creator>Lita Ch</dc:creator>

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